Some people have difficulty distinguishing old furniture. Today, wood drizzle furniture teaches you how to identify the authenticity of old furniture.
See if the patina is natural. Generally, in the position that the user's hand often touches, a naturally formed patina will appear. The new imitation of the patina is either unnatural or made in places that are not often touched.
Look at the legs and feet of the furniture for signs of fading and dampness. In wet areas in the south, furniture is usually placed directly in the mud, which can happen for a long time.
Look at the floor and drawer panels of the furniture. For example, the old table and the boring cabinet, the bottom plate and the drawer plate have an old-fashioned look. There are also matte black lacquers, but there is absolutely no fire. Then look at the drawer side panels, there should be chamfered lines on the sides to avoid hurting your hands. Another point is very important. Look at the alum, the blink of the eye is square, and the tip of the skull is locked. If you see two round eyes in the blink of an eye, it means that it is machined, and it must be a new imitation.
Look at the wood grain. Some furniture will have uneven wood grain on the surface, but if you look carefully, whether it is rubbed with a wire brush is whether it matches the original wood grain. Hard rubbed wood has always an unnatural feeling.
Look at the traces of renovation. Some of the cloth chairs are refurbished, and the original chair ring will leave a dense nail hole. This chair is old. Some rattan chairs, the original vine surface is rotten, leaving the eyes of the vines, you can see them over.
Look at the copper job. If the copper work of old furniture is original, it should be rubbed for decades or even hundreds of years. Copper jobs include face sheets, hinges, hinges, handles, wrap angles, bezels, lock faces, etc. Some of the better-quality furniture will also be made of white copper. It will be fascinating for a long time. . Some copper work pieces will have a variety of patterns, such as animals, flowers, auspicious characters, etc., the craftsmanship is hard to be imagined by today's coppersmiths. Some folks have very strong patterns, and they can also distinguish the regional customs and the style of the times, thus gaining valuable humanistic information.
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